Franz Liszt - Wikipedia, the free encyclopedia. Franz Liszt (born Franz Joseph Liszt) (German pronunciation. He was claimed by some contemporaries to have been the most technically advanced pianist of his age. He was a friend, musical promoter and benefactor to many composers of his time, including Fr. He left behind an extensive and diverse body of work in which he influenced his forward- looking contemporaries and anticipated many 2.
The Voice of Orpheus VOLUME 15 ISSUE 2 - SPRING 2014 CONTENTS Concert Notes 1 Schedule 1 Program Notes 2 Repertoire 3 Desert Promise 3 San Xavier 3 Recordings 3 Donors 4 Hogan’s Dare 4 Spring Appeal 5 Los Vaqueros 5. Program notes by Martin Pearlman When I first began to listen to Gluck's Orpheus opera years ago, I could not. Orfeo ed Euridice was first presented in Vienna in 1762. That initial version, which we perform this evening, was in Italian and featured the famous. Notes: Automatic sequence. Program notes by Humphrey Searle (.
Some of his most notable musical contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form, and making radical departures in harmony. He had been in the service of Prince Nikolaus II Esterh.
At some concerts, Liszt could not find musicians to share the program with, and consequently was among the first to give solo piano recitals in the modern sense of the word. The term was coined by the publisher Frederick Beale, who suggested it for Liszt's. Beethoven: Concerto No. 4 in G Major for Piano and Orchestra, Opus 58 Ludwig van Beethoven was born in Bonn, then an independent electorate. His baptismal certificate is dated December 17, 1770, and he died in Vienna on March 26, 1827. C 0 Program Notes Overture tO Orpheus in the underwOrld (1858) Jacques Offenbach (1819-1880). Liszt made his piano dance with death and the devil; the single most famous strain Chopin wrote is a funeral march. FRANZ LISZT Mephisto Waltz No. 1, 'Dance at the Village Inn' Vital Stats Composer: born Oct. 22, 1811, Raiding, (Doborj.
At age six, Franz began listening attentively to his father's piano playing and showed an interest in both sacred and Romani music. Adam began teaching him the piano at age seven, and Franz began composing in an elementary manner when he was eight. He appeared in concerts at Sopron and Pressburg (Hungarian: Pozsony, present- day Bratislava, Slovakia) in October and November 1. After the concerts, a group of wealthy sponsors offered to finance Franz's musical education in Vienna.
There Liszt received piano lessons from Carl Czerny, who in his own youth had been a student of Beethoven and Hummel. He also received lessons in composition from Antonio Salieri, then music director of the Viennese court. Liszt's public debut in Vienna on December 1, 1. He was greeted in Austrian and Hungarian aristocratic circles and also met Beethoven and Schubert. Adam Liszt therefore took his leave of the Prince's services.
Sources Haraszti, Emile: G. Howard, Leslie (1996). Else is our life than a series of preludes to an unknown song, whose first and solemn notes are intoned by death?'. Liszt: Tasso; Orpheus; Les Pr A recording of Franz Liszt’s Orpheus (Symphonic Poem No. 4, 1853-4), courtesy of Gabriel, who says: “Here’s a wonderful recording of Orpheus. It almost seems to tell a story as.
At the end of April 1. Hungary for the last time. At the end of May 1. Vienna again. Towards the end of 1. Liszt's first composition to be published, his Variation on a Waltz by Diabelli (now S. Variation 2. 4 in Part II of Vaterl. This anthology, commissioned by Anton Diabelli, includes 5.
Part II), Part I being taken up by Beethoven's 3. Diabelli Variations, Op. Liszt's inclusion in the Diabelli project. Liszt was the only child composer in the anthology. Adolescence in Paris. To earn money, Liszt gave lessons in piano playing and composition, often from early morning until late at night.
His students were scattered across the city and he often had to cover long distances. Because of this, he kept uncertain hours and also took up smoking and drinking. Her father, however, insisted that the affair be broken off. He again stated a wish to join the Church but was dissuaded this time by his mother. He had many discussions with the Abb. Equally important for Liszt was Urhan's earnest championship of Schubert, which may have stimulated his own lifelong devotion to that composer's music. He composed practically nothing in these years.
Nevertheless, the July Revolution of 1. Revolutionary Symphony based on the events of the . He met Hector Berlioz on December 4, 1.
Symphonie fantastique. Berlioz's music made a strong impression on Liszt, especially later when he was writing for orchestra.
He also inherited from Berlioz the diabolic quality of many of his works. Paris in the 1. 83. Some, such as Sigismond Thalberg and Alexander Dreyschock, focused on specific aspects of technique (e. While it has since been referred to the . Liszt's strength and ability to stand out in this company was in mastering all the aspects of piano technique cultivated singly and assiduously by his rivals. His chief motive in doing so, especially with the Symphonie, was to help the poverty- stricken Berlioz, whose symphony remained unknown and unpublished.
Liszt bore the expense of publishing the transcription himself and played it many times to help popularise the original score. In addition to this, at the end of April 1. Felicit. Under the influence of both, Liszt's creative output exploded. In 1. 83. 5 the countess left her husband and family to join Liszt in Geneva; their daughter. Liszt taught at the newly founded Geneva Conservatory, wrote a manual of piano technique (later lost). In these essays, he argued for the raising of the artist from the status of a servant to a respected member of the community.
On May 9, 1. 83. 9, Liszt's and the countess's only son, Daniel, was born, but that autumn relations between them became strained. Liszt heard that plans for a Beethoven monument in Bonn were in danger of collapse for lack of funds, and pledged his support. Doing so meant returning to the life of a touring virtuoso. The countess returned to Paris with the children, while Liszt gave six concerts in Vienna, then toured Hungary. In spring 1. 84. 4 the couple finally separated.
This was Liszt's most brilliant period as a concert pianist. Honours were showered on him and he met with adulation wherever he went.
Moreover, his great fame as a pianist, which he would continue to enjoy long after he had officially retired from the concert stage, was based mainly on his accomplishments during this time. Franz Liszt' publicly. Ferdinand Hiller, a rival of Liszt at the time, was allegedly highly jealous at the decision made by the university. He was promoted to the second degree and elected master as member of the lodge . From 1. 84. 5 he was also honorary member of the lodge . Women fought over his silk handkerchiefs and velvet gloves, which they ripped to shreds as souvenirs.
This atmosphere was fuelled in great part by the artist's mesmeric personality and stage presence. Many witnesses later testified that Liszt's playing raised the mood of audiences to a level of mystical ecstasy.
In fact, Liszt had made so much money by his mid- forties that virtually all his performing fees after 1. While his work for the Beethoven monument and the Hungarian National School of Music are well known, he also gave generously to the building fund of Cologne Cathedral, the establishment of a Gymnasium at Dortmund, and the construction of the Leopold Church in Pest.
There were also private donations to hospitals, schools and charitable organizations such as the Leipzig Musicians Pension Fund. When he found out about the Great Fire of Hamburg, which raged for three days during May 1. There he met the Polish Princess Carolyne zu Sayn- Wittgenstein, who was to become one of the most significant people in the rest of his life. She persuaded him to concentrate on composition, which meant giving up his career as a travelling virtuoso. After a tour of the Balkans, Turkey and Russia that summer, Liszt gave his final concert for pay at Yelisavetgrad in September. He spent the winter with the princess at her estate in Woronince.
During this period he acted as conductor at court concerts and on special occasions at the theatre. He gave lessons to a number of pianists, including the great virtuoso Hans von B. He also wrote articles championing Berlioz and Wagner. Finally, Liszt had ample time to compose and during the next 1.
During this time he also helped raise the profile of the exiled Wagner by conducting the overtures of his operas in concert, Liszt and Wagner would have a profound friendship that lasted until Wagner's death in Venice in 1. Wagner held strong value towards Liszt and his musicality, once rhetorically stating . She eventually wished to marry Liszt, but since she had been previously married and her husband, Russian military officer Prince Nikolaus zu Sayn- Wittgenstein- Ludwigsburg (1.
After huge efforts and a monstrously intricate process, she was temporarily successful (September 1. It was planned that the couple would marry in Rome, on October 2. Liszt's 5. 0th birthday. Although Liszt arrived in Rome on October 2.
Princess declined to marry him that evening. It appears that both her husband and the Tsar of Russia had managed to quash permission for the marriage at the Vatican. The Russian government also impounded her several estates in the Polish Ukraine, which made her later marriage to anybody unfeasible. On December 1. 3, 1. Daniel, and on September 1. Blandine also died.
In letters to friends, Liszt afterwards announced that he would retreat to a solitary living. He found it at the monastery Madonna del Rosario, just outside Rome, where on June 2.
Spartan apartment. He had on June 2. Third Order of St. On July 3. 1, 1. 86. After this ordination he was often called Abb.
On August 1. 4, 1. Albano. On March 2. Palazzo Altieri, he directed a programme of sacred music. Bach, Beethoven, Jommelli, Mendelssohn and Palestrina were performed. On January 4, 1. 86. Liszt directed the .
There were several further occasions of similar kind, but in comparison with the duration of Liszt's stay in Rome, they were exceptions. In 1. 86. 6, Liszt composed the Hungarian coronation ceremony for Franz Joseph and Elisabeth of Bavaria. After the first performance the Offertory was added, and two years later the Gradual. Two years later he was asked to do the same in Budapest at the Hungarian Music Academy.
From then until the end of his life he made regular journeys between Rome, Weimar and Budapest, continuing what he called his . It is estimated that Liszt travelled at least 4,0.
In 1. 87. 1 the Hungarian Prime Minister Gyula Andr. In a writing of June 4, 1. Hungarian King (the Austrian Emperor Franz Joseph I ). In March 1. 87. 5 Liszt was nominated as President. The Academy was officially opened on November 1.
Liszt's colleagues Ferenc Erkel, the director, Korn. After one or two concerts of his students by the beginning of spring he left. He never took part in the final examinations, which were in summer of every year. Most of his students were still matriculated as students of either Erkel or later Henri Gobbi.
Some of them joined the lessons which he gave in summer in Weimar. In winter, when he was in Budapest, some students of his Weimar circle joined him there. In 1. 87. 3, at the occasion of Liszt's 5. Budapest had installed a . The foundation was destined to provide stipends of 2.
Gulden for three students of the Academy who had shown excellent abilities and especially had achieved progress with regard to Hungarian music.